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0:00/3:00
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Young Enough to Know 4:030:00/4:03
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Trophy Scars 3:410:00/3:41
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Zeros & Ones 5:460:00/5:46
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No Gravestone 3:010:00/3:01
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Nowhere Is a Place 4:550:00/4:55
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0:00/5:08
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Get Yourself Through 3:420:00/3:42
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When You Are Down 3:060:00/3:06
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Hello 3:330:00/3:33
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0:00/4:40
![](http://d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/524615/70e407075f54e99ff0bb462699a7568c2664eaad/original/20190724-112846.jpg/!!/b%3AW1sicmVzaXplIixbMzAwLG51bGwseyJ3aXRob3V0RW5sYXJnZW1lbnQiOnRydWUsImZpdCI6Im91dHNpZGUifV1dXQ%3D%3D/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.jpg)
Press Quotes
“One-of-a-kind songs...a strong musical presence.”
![](http://d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/524615/25daa33d803754d9a80315c0d4d738cecfd92347/original/old-66-alignment-west-of-lebanon-paint-test.jpg/!!/b%3AW1sicmVzaXplIixbMzAwLG51bGwseyJ3aXRob3V0RW5sYXJnZW1lbnQiOnRydWUsImZpdCI6Im91dHNpZGUifV1dXQ%3D%3D/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.jpg)
“Justin Larkin has the singing tone that thousands of novice singers will be chasing for a long time.”
![](http://d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/524615/7c39ec6bd3471aa2b3eadeb531f6e918a40d4ca6/original/mmfl-rt66-38.jpg/!!/b%3AW1sicmVzaXplIixbMzAwLG51bGwseyJ3aXRob3V0RW5sYXJnZW1lbnQiOnRydWUsImZpdCI6Im91dHNpZGUifV1dXQ%3D%3D/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.jpg)
“Justin Larkin’s 'Cosmic Ozarkana' Captures”
![](http://d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/524615/f7cb48c3dea92715b4e7450db90d202a18d55412/original/miami-ok.jpg/!!/b%3AW1sicmVzaXplIixbMzAwLG51bGwseyJ3aXRob3V0RW5sYXJnZW1lbnQiOnRydWUsImZpdCI6Im91dHNpZGUifV1dXQ%3D%3D/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.jpg)
“I’d ultimately describe “Tulsa, Someday” as the perfect Americana song. It was like the influential genres just kept hitting me one-by-one. One minute, it’s a rock song with a guitar solo. The next, it’s country and folk lyricism staring right at you. Then, it’s bluegrass and blues. They just kept appearing and mixing with each other. I really can’t say enough great things about this song. You ever listen to an artist and think, “why aren’t they a bigger name than they are?” That’s where I currently stand on Justin Larkin, and I’m really looking forward to future work from him.”
![](http://d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/524615/a9c22f7a45999537639a7a947d7e5c993c493922/original/mmfl-rt66-23.jpg/!!/b%3AW1sicmVzaXplIixbMzAwLG51bGwseyJ3aXRob3V0RW5sYXJnZW1lbnQiOnRydWUsImZpdCI6Im91dHNpZGUifV1dXQ%3D%3D/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.jpg)
“In the vein of John Prine’s “Sam Stone,” the track weighs the cost of war for Americans. The rumbling energy of the song feels like a Johnny Cash style narrative country song that calls into question societal preconceived notions. It’s a bold song. Fair warning — around the 2:20 mark there’s a fantastic almost-theatrical element of the track that breaks the genre style to make the death feel more visceral. It’s such a brilliant piece of songwriting. Whether or not you have a political affinity or affliction toward the song’s message, it’s a track that’s worth serious artistic consideration.”